Friday, July 11, 2014

Death of the American Railroad: A Mural

My father worked on the railroad after he graduated high school in the mid 70's. This might have been the worst time to start a career on the railroad. In 1959, American rail operations began to be consolidated, bought out, or shut down entirely.  By 1981, some of the biggest rail operators had declared bankruptcy. When my dad hired on to work the rails, he was not more than a few years from being laid off. 

I grew up hearing tales of the incredible, sometimes sad, and occasionally crazy things he had to do at work. Despite the often grueling conditions, I could tell that he was fond of the job and the memories. 

I also grew up hearing about the idea of a mural on our basement wall. He wanted it to depict a freight train barreling toward the viewer, giving the viewer a sense of what it is like to stare down a train. This is something my father had to do once, almost. 

While spike lining in the middle of a large bridge one winter, he and his crew heard a terrible noise. The crew foreman yelled to clear the track. They turned to look behind them and saw a train engine coming straight at them.

Running over elevated railroad ties or on the rails themselves is a dicey thing. It's a choice between walking on a balance beam very quickly, or leaping over the open spaces between the ties. Making a mistake on either means falling. My dad found this out quickly, and made a different choice. 

He saw before anyone that the train would catch them all. He stopped and looked back at it, but it was still not quite in view. There was only time to jump into the icy river. He looked one last time at the train. 

And that was when he heard the brakes. It never crossed the threshold of the bridge. It wasn't even a freight train. It was a rail x-ray machine pulled by a train engine. His dispatcher never told the crew it was coming. He never had to make the jump, and we'll never know if he would have made it. Had a better chance than the other guys though. I don't even think he took the rest of the day off. 

The mural is titled Death of the American Railroad. Here it is:




This mural would not be what it is without a great background. 


Or a great sky. 
Also, the name Traitors has a double meaning. It was my dad's bowling league name. Their logo was the noose hanging from the "s." He always wanted it on the train, and I must say, it fits well. It is also meant as an accusation against rail operators that laid off so many of their employees creating difficult times for people 
like my dad. 



 Duke Skellington, train engineer. The driver and the ghost train symbolize the death of the railroad. It was a touch that my dad always wanted in his painting. It ultimately makes the entire mural more dynamic. Good ole' Duke steals the show, in my opinion. 




Thursday, June 5, 2014

Fluffy Chickens

Yup, it's a farm painting. Apologies for not very many beginning shots. I did all in the first pic in one day. I was on a roll in (for me) the new wet on wet style. 



Final product:


Fluffy Chickens
36"x 24"
Oil on canvas
Unframed Price: $125

Ascent

This is the painting I was working on at the same time as Bivouac. I'll be honest, it was a slog.
It started out as a snowy pic, but I thought that might end up being too visually boring. 


So I put it through a few iterations.
With green trees.



With green trees and a lake.


With white, snowy trees and pink clouds. Ah, those pink clouds. Ugh. Terrible. 


After an evening of staring at this painting, wanting to break the canvas board over my knee, I found the painting I wanted to do the whole time. 



The final product:


Ascent
24"x 18"
Oil on canvas board
SOLD

Tuesday, June 3, 2014

Bivouac

As I was working on another painting, upcoming to the blog shortly, I began a painting that takes place at night. This stands as a departure from my usual fare, especially the one I was working on in tandem with this one. 


It went along quickly from the beginning point. I had it completed in a couple of days instead of my usual couple of weeks. 


Finished product:


Bivouac
24"x18" 
Oil on Canvas Board
Black aluminum framed price $85


Monday, May 19, 2014

Approaching

The second painting in my landscapes series was originally going to be an abstracted cityscape. That concept stopped inspiring me about thirty seconds into starting it, so I added some mountains that were MUCH more interesting.



See, mountains.

I got tired of the stylized clouds so I wiped them out to start over. I ended up liking this subdued look more than anything. This inspired parts the final product.






Approaching
24"x18"
Oil on canvas board
Back aluminum frame price $85

Tennessee by Jodi

Honorable mention goes to my partner in crime Jodi, who made this excellent watercolor landscape. I love the difference between her style and my own. She can apply subdued color and paint strokes to make an excellent illustrated effect on a piece. This is Tennessee by my wife Jodi:


Tennessee
16"x"12 
Watercolor on Paper
Distressed black wood frame price $50

Friday, May 16, 2014

Aspen


The painting that follows is the first of many landscapes that I hope to undertake in the near future. It is titled Aspen.






Using a pallet knife I inlaid the mountain ridge. The knife gives a craggier look to the mountainscape, as opposed to a brush which would have made the rocks too soft. 






As usual, a change needed to be made in the lefthand corner. It was too dark with the full ridge extending to the foreground, so I eliminated it. 


In go the aspens...



 And the finished product: 



Aspen
Oil on Canvas Board
16"x 12"
Black aluminum framed price: $75 


Tuesday, May 13, 2014

Portfolio 4, Commission

My boss commissioned me to create three watercolor paintings for our company's conference room. The big blank white wall was getting depressing. 

She is from London, England and now lives in Columbus, Ohio. She wanted to see a combination of the two cities in her paintings. The following are the three pieces combining elements of each city throughout different parts of the day. 


Morning


Rush Hour


Evening



Tuesday, January 28, 2014

Portfolio 3, Portraiture and Figure Drawing

In college I was tasked with drawing and painting many things, but I loved most to re-create people.
 
What follows are figure drawing studies in Red Conte Crayon, Black Conte Crayon, and portraits in watercolor, oil, and chalk pastel.
 
 Red Conte Crayon figure studies

 




 Self-portrait in Red Conte Crayon


Pastel portrait study of Peek 


Final oil painting titled Peek


Black Conte Crayon portraits of woman sleeping



Black Conte Crayon studies of human features and figures




Here follows some of my better achievements:


Mouth
I really like this portrait. It's off-center, with no eyes, barely a nose, and muted tones. Something about it has always spoken to me, and it's not because I made it.



Dusk
This painting gives me fits. Sometimes I look at it and it's excellent. Then I look again and I see every flaw (and there are many). I think this painting is ultimately the sign of an immature painter that could not overcome his own flaws. This painting now only exists electronically. It has been destroyed-by-gesso. The canvas now resides in my parent's basement. 



Wedding
A watercolor portrait I painted of my wife on our wedding day. To date, it is the finest painting I have ever created. The credit goes to the subject of the painting, not the painter. This painting has won awards, been featured in a museum exhibition, and is simply my favorite. Maybe I shouldn't have a favorite, but I do.